What I always find interesting is how, after the other fashion capitals have pretty much set the trends for the upcoming season, Paris makes it's own statement, even if it means going off the deep end. Paris is the place where designers like to experiment. It is the market where new ideas are born, pushing fashion forward. And while I was most comfortable with a lot of what I saw in Milan, this season, Paris has a lot to say!
Like the other two capitals, grey is THE color of the season. And as we saw elsewhere, there is plenty of texture and tone all up and down the grey scale. But since this fashion week is all about the Fall-Winter season, it stands to reason the coat would take center stage.
Clean, broad, and clean, this is an elegant garment.
But again, there is a great deal of texture and tonal mixes in this garment.
Next to grey, blue is a key color as well. Often we see it teamed with black. Another underlying story is the wide variety of trouser silhouettes. Note the larger leather pants with the jean jacket. Also, notice how the coat is also cut in shorter lengths...otherwise known as the "car coat."
Color is not completely out of the picture. We thought soft corals, camel and sand dune tans were the perfect way to transition from summer to autumn.
The traditional suit is still on the scene, but designers decided to break a few rules. Here we see a jumpsuit from Hermes, a three-button plaid suit from Dior in contrast to a cropped jacket and vest offered by the same house. Givenchy plays with layering chalk stripes. A slate grey car coat is tossed over the shoulders of a split level eggplant sports jacket and narrow trousers.
But as the work force becomes younger, look for more "casual Friday" looks. These are less formal than a suit, but remain elegant, all the same. The boys loved the scarves tied around the necks of the Hermes models. They also love the look of layered trousers or short pants worn over patterned knee socks like those worn by Yohji Yamamoto's other label, "Y-3."
The super wide silhouettes, that younger men have grown accustomed to, takes on a new dimension. Not afraid of layers, prints or even the unconventional look of a great big poncho tossed over a sweater, short pants and socks, this is a look for men who love comfort and aren't afraid to experiment to find a new look.
But after years of supersized fashion, a hint of things to come came from the house of Saint Laurent as designed by current art director, Hedi Slimane. Inspired by today's rock stars and yesterday's lounge crooners, Slimane's trousers are super skinny. Many of his jackets also have shrunken proportions, though his car coats sport lots texture.
Here, the entire "lounge" look is present. The "leather" pants don't look so sleazy when the jacket is cut from a contrasting material. Velveteen, suede, wool or a flat faux fur...
There was something so intriguing about those Saint Laurent jeans with the zips down the front. Here, I began with the jeans pattern. I cut the original pant pattern front into angled horizontal pieces using my stretch vinyl. They are layered onto a backing cut from the original pattern. Each piece is top stitched in place. The "zippers" are really silver yarn crocheted with a simple chain stitch, cut then sewn in between each section. The back is left plain, cut in a single piece out of stretch vinyl.
They are wild. They are crazy. Your guys probably won't want to wear them. But because this is Paris....
Then again, the extremes exist to give you an idea of what's out there. The takeaway here is that you can use a vibrant print or pattern or surface treatment for, let's say, a jacket worn over jeans or a simple pair of trousers!
You can use Indian brocades for a special evening coat. Or take a cue from Downton Abbey for Ken's mourning coat before you land back into this century with a classic dress coat over Monsieur's tuxedo.
The girls have been very busy during Couture week in Paris. Their report will be next up!
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