Tuesday, November 18, 2014

Ragdolls of the Opera







Each year, my dolls and I look forward to the Frimousses des Createurs exhibition. Fashion designers and artists are called upon to dress a rag doll which will be auctioned off by UNICEF to raise money for vaccinations of poor children in Darfor. So not only do we get our fix of beautifully dressed dolls, it's all for the most noble of causes.





This year the theme, Opera, was chosen as the point of inspiration for all art work and dressed dolls submitted. The exhibition, free of charge to the public, is being held for one week (November 18-23) at the Theatre de Chatelet (place du Chatelet), situated in the center of Paris just a block from Hotel de Ville (city hall). On November 24, an auction will be held to sell these one of a kind dolls. Last year's event raised more than 185,000 Euros.





Inasmuch as her name has something to do with the opera, I chose "Aria," a Barbie I purchased last year at the Musee de la Poupee to escort you around this exhibtion. She photographed the most interesting dolls today, which I am happy to feauture below.

























































































To see the ensemble of art work on display, or obtain more information on this event, please consult the website set up just for this occasion at: http://www.frimoussesdecreateurs.fr/ A free app is also available in the iTunes Store, as well.


The temperatures are dropping and we've been busy putting together some cold weather clothes your dolls are going to want to keep warm. Stay tuned! It's coming up shortly!!!!



Follow us on Twitter: @FashDollStylist

We're also on Pinterest: www.pinterest.com/FashDollStylist



All images taken on location and text by Fashion Doll Stylist.

Friday, November 7, 2014

The Golden Years of French Couture



Paris is where I recharge my (creative) batteries with long walks and window shopping in fashion neighborhoods, trips to fabric & trim stores, gallery hopping and visits to premier exhibitions on style. A trip to the Palais Galliera, one of the city's two fashion museums, is always a must. After a one hour wait in line to see, "Paris Fashion: 1947-57," me and the girls (all dressed for the theme) were good to go. This exhibition, divided into three sections, provided an up close and personal look at the heyday of French Haute Couture via 100 period garments and accessories, vintage magazines, newspapers and television footage.







Greeting us at the entrance of the "Galerie d'Honneur" were a series of serene daywear. Wool suits in dark neutral colors with jackets either cut flat and wide or structured to follow the curves of the body, were often worn over straight skirts or others styled in a burst of pleats.





The actual "New Look" suit designed by the late Christian Diir himself--an ecru hourglass jacket over a black, knife pleated skirt--was on display along with accompanying magazine articles so dramatically photographed.





The "Grande Galerie" was transformed into a sumptuous parade of cocktail dresses and ball gowns, all of which invited the visitor to come close and marvel at their complex construction, delicate embroidery or intricate beading.





Dior's New Look was an extravagant reaction to the restrictive measures in place during World War II including rationing of fabric and narrow, more masculine silhouettes. Sensing a renewed desire for luxury and femininity Dior created looks with cinched waists, round hips, draped dresses and full, voluminous skirts comprised of up to 100 meters of fabric! In fact, 1950's fashion ushered in 30 glorious years for the French economy, supported in part, by the house of Dior. It was a period of prolific creativity which, once again, helped Paris maintain its reputation as fashion capital of the world.





The exhibition not only focused on the more glamorous aspects of madame's Charles de Gaulle era wardrobes, but also featured daywear, lingerie, swimwear and accessories.





The period between 1947 and 1957 articulates two important historical moments in the world of style: the revolutionary bomb dropped by Dior's New Look just after WWII and the first steps of a young Yves Saint Laurent, responsible for moving fashion away from the pretension of haute couture and towards a simpler, more youthful, off the rack direction.





The garments on display--as seen through the work of Dior, Balenciaga, Chanel, Mme. Gres, Pierre Balmain, Jacques Fath, and lesser known designers--not only illustrates the fashions of that period, but also reveals the social values of that decade's upper classes.







This exhibition is now closed: However, I invite you to see it for yourself thanks to the video produced by France 3 Ile de France TV.







Follow us on Twitter: @FashDollStylist

We're also on Pinterest: www.pinterest.com/FashDollStylist





- Posted using BlogPress from my iPhone



Saturday, November 1, 2014

Ode to Oscar de la Renta




One of the giants of fashion has passed. I did not personally know him. I never interviewed him. But I did get invited to see his shows during the time he was designing collections for the house of Pierre Balmain and I was present for the launch of his perfume, Ruffles, held at the Ritz Hotel.



The first time I saw him was at a fashion show of another designer. He had come late and was standing in the back next to me. When I realized who he was, my attention was diverted away from the catwalk presentation and I began to stare at him incessantly. My goodness, he was one tall, gorgeous man! He turned around and looked at me with a smile on his face which made me realize just how much I was staring. I smiled back, turned my attention back to the show, but stole glances from the corner of my eye. My goodness, what an incredibly gorgeous guy.






According to a report published by the New York Times, the great, late Oscar de la Renta will be laid to rest on November 3 in New York. When I heard of his passing on October 20, I felt as if a part of my culture had died. Mr. de la Renta and his contemporaries were the reason I had embarked on a career in fashion. I adored the fashions they created and I wanted to be part of that industry!



Born in Santo Domingo, Oscar de la Renta worked under legendary couturier, Cristobal Balenciaga. In the 1960's he rose to fame dressing the most distinguished women in the world including first lady, Jacqueline Kennedy. His clothes were the epitome of elegance, grace and class.


 






Creating dolly versions was very straight forward. Oscar's lines are simple and sleek. Surprisingly it did not take me all that long to realize the four looks on this page. For the pant suit pictured above. This is a basic jackret pattern (without collar and elongated into a coat) with a length of faux fur tacked on. (Note: if you click on the highlighted text throughout this post, you will be transported back to that specific tutorial.)




Underneath: I used my trouser pattern, but instead of stitching up the darts, I made tucks instead, tacking them at the waistline with a few hand stitches. The top was created with the basic foundation (2 dart) sloper. There again, I did not sew up the darts. Instead, I pinched them at the waist and tacked them down with a few hand stitches (the same technique I used for one of the jumpsuits in a previous post).





The second photo in this post (fur top over the long pencil skirt) was also simple. It is the basic top with the opening planned for the back. I did not put sleeves on the dolly version due to the difficulty in piercing the (real) skin I used. The skirt was cut from a stretch vinyl that resembles leather. It was cut in one-piece.





This is a dress I have been wanting to do since I saw it last year. It is silk faille princess line dress with an overlay of vintage crocheted trim.







I made this somewhat shorter than the original because I thought it prettier on the doll.




And then there was this grand, "classically Oscar" ball gown which really shows off his Latin roots. Quintessentially beautiful, it is a lot more simple than you might imagine. I began with the 1-piece camisole over which I draped a polyester dotted Swiss fabric. The skirt part was made using a 4-gore skirt pattern. I sewed three tiers of ruffles onto this skirt. You can either leave the two element separate and add a ribbon waistband to the skirt. Once on the doll, I used another piece of my fabric for a sash belt. Or you can sew the top to the bottom (again, beware of bulk around the waistline) and then tie a sash over it.







We're now on the streets of Paris. We'll be back shortly with what the girls have been up to!




Follow us on Twitter: @FashDollStylist


We're also on Pinterest: www.pinterest.com/FashDollStylist


Thursday, October 30, 2014

BOO !!!!

To all of my friends and visitors who have come to my own glorious corner of this doll planet.....

Fashion Doll Stylist wishes you a very stylish HALLOWEEN!

You know by now, our girls are only interested in high fashion.....And so with shopping bags in hand, they decided to go "trick or treating" at their favorite high end shops to beg for goodies. Inasmuch as they were headed to the upscale section of town, they thought they should get a bit dressed up. Quite naturally, they accessorized their look with a more trendy version of the witch's hat!
 
 

Me and the girls have arrived back in Paris where we plan to do lots of window shopping, galleries, restaurants, fairs (including a doll fair) and fashion exhibitions which we will be more than happy to share with you.

However, prior to leaving the States, the girls participated in a photo shoot paying dolly homage to the late Oscar de la Renta. That's coming right up! Stay tuned!!!!
 
Follow us on Twitter: @FashDollStylist
We're also on Pinterest: www.pinterest.com/FashDollStylist

Thursday, October 23, 2014

Jumpstart!

The jumpsuit is one of those trends that appeared discretely on the catwalks about a year ago. Slowly we're seeing more and more of them as a younger fashionista discovers them for the first time. I'm old enough to have worn them before and can verify that nothing is easier or faster than leaping into high style with this one piece garment. When styled in tailored lines, it goes to work. In a cheerful cotton, it takes off to play. Cut it short for a summertime "romper" or from a bit of fancy fabric for a formal affair.


This season, my eye was immediately drawn to the sleek, simple lines of Haider Ackermann's silk jumpsuit. Cut close to the body, it glides over the body in an unbroken line with just a hint of a slight drape over the collarbone. I admit I was pleasantly surprised to see how this translated to the doll so beautifully. And though that pattern is most illogical when compared to that for a full scaled woman, I decided to include it in this post along with a range of other options to show the versatility of this garment.

Your jumpsuit can be as simple or complex as you want it to be. It's as simple as making a bodice, making a pair of pants then joining them together along the waistline. Be careful when choosing the fabric or the doll you dress. The  2-part  jumpsuit  will add bulk to the doll's waistline unless you use a thin or soft fabric. Needless to say, press, press, press!

Dolls with the older Barbies or FR bodies (hourglass, swivel waists) like Anna pictured here in a grey wool outfit easily wear this type of jumpsuit. (It helps to balance their exaggerated proportions.)

But if you want a jumpsuit without the waistline detail, it is a simple matter of combining the foundation or bodice sloper with that of the pant sloper into a single pattern piece as shown below.
Take the 2-dart foundation garment  (see video) you created from an early tutorial. (Click on the highlighted words throughout this post to bring up the proper tutorial for slopers you have not already made.) Lay it over the (2-piece) pant sloper (see video), lining them up at the waist. Trace complete foundation and add the rest of the pants to arrive at your basic jumpsuit sloper. If you sew this as is, stitching up the darts, you will end up with a fitted jumpsuit with a narrow pant leg. You may have to adjust the shoulders a bit depending on the doll. Since I wanted a bit more volume, I put a dot 1/4 inch (6mm) to either side of each pant leg at the hem. From the hip point to the hem, draw a line down to that point. Add seam allowance.

For this jumpsuit, inspired by the one shown at Haider Ackermann, I left the darts open and redesigned the neckline by shaving off 1/4 inch down from the Center Front. I pinched the fabric at both shoulders to create a bit of a drape and hand stitched. But I discovered the overall fit was looser than I wanted, so I added tucks where the original waist darts were. These are simple tacks at the waist which line up with the pant creases. You simply pinch the fabric and tack down on the inside.
For my fashion report, I had made another pattern. However, it is not logical in terms of standard drafting techniques, but guess what. It worked! It was slim and gave me the same proportions as the one in Ackermann's show. And it worked better than the basic jumpsuit because I had cut away much of the dart fullness.
I began with the 1-piece pants sloper over which I laid the front and back bodice slopers (1). Note how they overlap at the sides. Make sure the Center Fronts and Center Backs line up. Again, I added 1/4-inch (6mm) to each side of the side edge at the hem. I draw my line from the inseam point to the hem.(2). At the top, I trimmed away 1/4-inch (6mm) from the collar and around the armhole. Now, trace off the silhouette then add seam allowance. Stitch the shoulder seams together then the inseams. Press those seams, turn one side right side out and slip it inside the other half, matching right side to right side, center front to the center back. The wrong side will face you. Stitch down the CF to the CB, leaving enough space for the doll to get in and out. I closed this one with snaps in the back. But you can also sew in a tiny zipper (which I did for the black jumpsuit).
I used a China silk and it came our perfect! Around the neckline and armholes, I rolled the edges and used tiny stitches to hold in place. I pinched the fabric at the shoulders and hand-stitched in place.
And then there was this gorgeous Ralph Lauren jersey pantsuit. For this I combined the pant sloper with the dartless knit bodice sloper.
Trace off the pants sloper onto paper. (1) Draw a vertical line down from the apex of the dart. Cut along that line (but don't cut out the dart). Fold the dart closed. The pattern will open at the bottom. Tape down. (2) Repeat for the back pant sloper. (3) Trace this along the outer lines. The back will be wider than the front at the hem. For this reason, you will need to balance them out. Note the difference in width between the two (see green line). Add half the width left over to the front (between green line and red line). Subtract the same amount from the back. Both pattern pieces will now be the same width at the hemline.
Trace the new front and back pattern. (4) Lay the dartless jersey dress sloper (see video) under this pattern, lining it up at the waist. Redraw the armhole and smooth out the sides near the waist. I have extended my armhole from the edge of the shoulder to half way into the shoulder line. The original photo called for a standup collar, but I have not had much success with this type of collar for my dolls, so I chose to do a "funnel collar" instead. (5) This is done by curving my line from the neck/shoulder point up by 1/4 inch (6mm). Make a horizontal line across to the center front. It will be perpendicular to the CF. (6) Now trace all external lines for your pattern and add seam allowance. I used a 4 inch(skirt) zipper down the back. HOWEVER, it is better to order a dedicated 4 inch doll zipper because the zipper pulls on the regular human zippers are out of scale. The neckline is held in place with a hook and eye. Also....the success of this jumpsuit lies in the choice of fabric. In this case, I have used a rayon jersey which has lots of drape!

Here, I've restyled this jumpsuit by pairing it with our Dolly Givenchy "embroidered" jacket and a 1970's style chain-link belt.
Without the collar, cut from a fancy material, you have an entirely different look!
 
Follow us on Twitter: @FashDollStylist
We're also on Pinterest: www.pinterest.com/FashDollStylist
 
All images and text property of Fashion Doll Stylist 2014. Please do not reproduce without prior permission. Thank you.