Dolls Eye View: Golden Globes 2024

You know my girls were not going to let me miss.... red carpet season. Yes, it's been awhile since my last post, but my divas insisted how much they NEED NEW CLOTHES!!!! Now that the holidays are over, and with the new year in progress, I am making a concerted effort to get back on my feet and take care of my ladies, starting with some red carpet action. The key word for this year's Globes red carpet..."Pretty." Celebrities looked more elegant than they have in years. Looks ranged from simple, strapless sheaths and fishtail gowns to big beautiful ballgowns. My goodness...could everybody be under the spell of.... "Hello Barbie" ??!!!!!

First we would like to stop and congratulate Lily Gladstone, the first Indigenous actor to win best Best Actress in a Motion Picture Drama. Her Valentino gown, is a simple strapless white sheath peaking out from a black taffeta cloak trimmed with voluminous flounces, While we liked the overall effect, we feel the designer could have gone further with the details. For our girl Veronica, we added in lots of curvy couture draping to give the dress more character and interest. Instead of a ruffled cloak, we took a handful of crunchy black taffeta and tossed it over the shoulders. 

Hello Barbie. Can you believe it... our friend Barbie went from supermodel to super celebrity with her hit movie last year! Actress Margot Robbie's dress is a full length replica of a 1/6 classic Barbie dress. But for our girl, Adriana, I did the opposite. I kept the Barbie pink color, but made a more sophisticated rendition of Robbie's pink sequined dress. It's a simple sheath out of silk faille fabric. Instead of the original bubblegum pink tulle, I tossed a pink feathered stole over Adriana's shoulders.

It doesn't get any more simple than this. We saw lots of black velvet on the red carpet. All by itself with its sweetheart neckline and long, off-the-shoulder slim sleeves this dress by Dolce Gabbana exudes elegance. We didn't take any liberties with the original design other than accessorizing a rendition of it with an elaborate "diamond" necklace and a fluffy white jacket, modeled here by Denise.

There were several of these velvet gowns--trimmed with a sweep of satin or a sparkly bow. This dress, designed by Monique L'Huillier, is lovely but, here again, we felt the designer could have had more fun by adding a bit of drama. Case in point... for our girl Estelle, we began with the same black velvet strapless sheath but played more with the drape of the cream colored satin ribbon that sweeps over the empress bodice, tumbling down to the floor.

It's all about the fabric! Another classic one-shouldered Grecian gown designed by Fendi Couture is reinterpreted for Emmanuela. I used a gorgeous silver satin fabric to create the narrow, dartless sheath. I added a train and topped it with a bow.

If I had the silver sequins, I might have been tempted to copy the dress as is. But the fact that I didn't, led me to get creative. Renee's dress was made from the reverse side of silver Christmas ribbon. It's made in two parts..a strapless bodice over which I added squares of frayed ribbon. The raw edges really make this dress! Instead of the white and silver train of the original dress, I made a stole from silver "eyelash" fabric which I felt was more modern, more versatile.

I do like the simplicity of these gowns but I wish there was something elaborate in the mix. This is another one-shouldered sheath with a little draped detailing at the top. I copied the dress as is for Helena. But to jazz up the look, I gave her a fringed, embroidered shawl to toss over her shoulders. 

With its bugle beaded bodice, this dress, from the house of Schiaparelli replicates the old world charm of Hollywood in the 1950's. We liked the way the white beaded bodice peeks out from the rest of the full, black taffeta ballgown. For Nadja, we changed the construction of the front of the dress a bit, shifting the volume from center front to side center. Instead of smooth silk, I used a crunchy taffeta for extra texture and volume. I accessorized Nadja just the way women did it 60 years ago....with long, white satin opera gloves.

I love red satin. I love the volume of this Bottega Veneta gown. But I wasn't wild about the neckline with those two little bits of I-don't-know-what poking out of the top. Laetia wears the same, princess line, full gown...except, we gave her dress a prettier, draped collar over the bustline.

I almost missed this dress, but my girl Veronique brought it to my attention! There is a lot going on here. We both love the asymmetrical look to the whole dress. We love the flounces, the flowers, the sparkly do-dads. And so...for Veronique's dress, I began with black sequinned shear fabric, to which I added satin and tulle flounces, black flat flowers dotted with silver beads. I kept adding elements until I had roughly the same look of the George Chakra dress worn by actress Andrea Day.

When all is said and done, the star of the red carpet show at the Golden Globes 2024 was Jennifer Lopez in a sumptuous pink gown complete with roses over the shoulders and a train that trailed for miles! Wow!!! This was a lot of fun to create for my model, Charlize. It starts out with a simple sheath cur from pale pink satin. I pinched it in between the bustline to get a draped sweetheart neckline at the top of the dress. Over it all is a "shrug" (narrow rectangular tube open at each end for the arms to go through). The shrug is decorated from silk flowers I bought at the craft store. Then I gathered a big rectangle of satin and stitched it to the bottom. The dress, itself is simple. It's the shrug that brings in all the drama. 

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Oscar Buzz 23

 

This was a most interesting Oscar "Red Carpet" event. First of all the carpet was champagne and not red. The  number of nominees and Oscar winners was, perhaps, the most diversified in the Academy Awards' history. But for my purposes, most of the dresses worn by the celebrities were tasteful and some designs even provided a good dose of inspiration for the one-sixth renditions I would be creating for my divas. For this post, I chose 12 dresses, though there were a few others I wanted to try. My biggest regret...that gorgeous Moschino plum colored chiffon gown worn by actress Angela Bassett. I could get a hold of that fabric in a timely fashion. But for the ones I singled out....I got ambitious. Very ambitious. Some of these dresses were quite simple, however for a few, I had to treat them as pure craft projects. No pattern, I build the dress piece by piece, directly on the doll as I tried to figure it out! All in all, though, the trends from this year's event fell into three main categories: Simple Elegance (column dresses), Cake-Top Ballgowns, and Peek-a-Boo I see you. The color story was very clear..lots of black, lots of white and the occasional burst of bright color.

Lady Gaga is always a standout for my girls. She pushes the envelope with such class and elegance. For the most part, we didn't care too much for the Peek-a-Boo dresses. Though my girls can wear them well, most normal human bodies cannot. And there's always the question of...what happens when the body starts to move under those cage-like structures. But this Versace dress worn by Gaga..we couldn't resist. And here is what I mean by a pure crafts project. I used the netting (taken from the selvage edge of some sequin fabric I had on hand) and constructed a bodysuit. I thought this would be the best way to get the bodice close to the body without seams. On top of this, I stitched on a bra top. I used a stretch jersey inasmuch as the bodysuit was stretch. In hindsight, this was not the best fabric because it didn't lay as flat as it should. The outlines are made of 1/8-inch (3mm) satin ribbon. I would have preferred to use something matte, but yarn was out of the question because I needed something flat and I've never seen 1/8 inch ribbon in velvet. For the skirt (which is separate) I started out with a jersey skirt but it didn't have the structure needed for the stark A-line shape. So I swapped it out for a fabric with more body. The "jewels" on the belt are stickers. Her necklace is the double row of "diamonds" we featured in the previous post.

You know me...I LOVE a good basic black dress! I suppose I love them so much because, not only do they go everywhere, but you can dress them up or down. In this case, this one, worn by actress Andie MacDowell and cut in stretch velvet with its asymmetrical neckline is from the house of Saint Laurent. For this dress I used a basic jersey pattern and simply drew in a similar asymetrical neckline. It serves as the perfect backdrop to help showcase Lindsay's cascading "diamond" necklace.

As soon as we saw Vanessa Hudgens, one of the red carpet greeters on Oscar night, we fell immediately in love with her Chanel gown. Again, very simple, very elegant and 100 percent class! For the version modeled by our lovely model, Belle, I used a stretch velvet trimmed with white satin. I kept her "diamond" necklace simple. It's a single row of rhinestones tied into a single knot in the middle!

The problem with black dresses is that, most often, you cannot distinguish the details. So for me, the Dolce et Gabanna dress worn by Phoege Walker-Bridge appeared to be a column dress with a sheer black lace corset top. For my girl, Helena, I created a black lace corset worn over a sleek black narrow skirt. The look begged for something else. So I tossed a fancy embroidered shawl with silk fringe over her shoulders. Only when I finally saw a larger photo of the original dress did I discover that the skirt is made from dévore (burn-out or acid etched) velvet. Dévore will be the subject of a project I will be presenting in the near future. I have to order the supplies. 

But for the moment, what I would like to bring your attention to is Helena's necklace. It is a 1/6 scale rendition of the diamond version of Elsa Perretti's serpent necklace for Tiffany's. I added a clay head and tail (later dipped in silver glitter) to a length of rhinestones. 

My Barbies were all over award winning film maker Ava DuVernay's shimmering look. Instead of sequins for the shawl and train, I used a dark silver Lurex. I also used a panne velvet for the dress underneath. On the other hand, we did not think she Ms. Duvernay needed the belt which, in our opinion, interrupts the sleek lines of the dress. 

We were very happy to see the first Asian actor win Best Actress. (It's about time, no!!!) Congratulations Michelle Yeoh. We love the soft white gown she wore from the house of Dior. For our girl Yoon's 1/6 rendition, we did not have time to source out the feathers and apply them one by one. So... we cut out the dress and added row after row of a sheer nylon cut into fringe then attached row by row. Around her arms...a whisper of white tulle. (P.S. We tried to get Yoon to smile. But she's bashful and this is her first time on the red carpet and this was her first cover shot. She was very nervous. Sorry about that!) 

Nicole Kidman is another actress we always have our eye on when she arrives on the red carpet. Her dress, from Armani Prive, is a simple, one shouldered black sequin sheath, slit up the thigh and adorned with silver roses. For our girl Karen, we stuck pretty close to the original design, using a micro sequinned fabric decorated with silver Lurex roses planted on one shoulder and the top of the thigh.

Quelle Elegance! Here is Danai Guirira looking positively regal in this gown designed by Jason Wu. It is a very simple but spectacular dress with the strapless bodice topping a full gathered skirt. Our girl Grace wears her version in the same elegant fashion. We got a little fancier with the bodice, opting to use flattened drapes over the torso. And please note.... we were able to recreate a similar mile-high hairdo! 

Here's another "cake-top," fit and flair scarlet dress designed by Elie Saab and worn by Cara Delevigne. It is an one-shouldered gown with a bodice draped close to the torso and lots of volume in the skirt. We recreated the same look for our girl, Yvette...right down to the giant rose on one shoulder to the thigh high slit in the front.

And while we're on the subject of big dresses..... We really wish the stylist for Florence Pugh had chosen a simpler dress for her. While we saw so much potential in this dress, we felt it overwhelmed the wearer. The black hot pants and platform shoes underneath did nothing for the overall look. Moreover, Ms. Pugh came across as looking as if she had gathered up all of her bed linens around her just before appearing on the red carpet. That said... we did like the spirit of the dress and was motivated to select our fresh face model Ingrid for our 1/6th version. I chose an oyster white taffeta...a fabric with enough body to carry off such a spectacular look. Initially I began with a bra top, but ended up with a more simple empire waist bodice (which I pinched in the middle)  instead. It was just easier to suspend the skirt from a simpler structure. The skirt is gathered then attached to the bodice. I will be honest...this resulted in a dress that was way too heavy to stay up. So....I used small strips of clear vinyl to create straps which are nearly invisible in my photos! The dress by itself was nice, but I felt it could be taken to the next (more avant-garde) level with another skirt underneath. The sleeves, both in my version and the original version, are separate. This is a large tube with gathers on both ends. We tacked the excess together in a variety of spots across the back. The end result is abstract yet elegant at the same time. In some ways, it almost recalls the creations of architect Franck Ghery .

Another cake top dress....

Normally I loathe this sort of fishtail gown, here, worn by India's Bollywood superstar, Deepika Padukone. (Please note, Ms. Padukone was misidentified by the Hollywood press as Camillia Alves.)  But Veronica (who is modeling our dress) reminded me how this look really smacks of old Hollywood in its glory days. As simple as it is, this dress taught me a few lessons. There is a reason why you rarely, if ever, see doll dresses in velvet. Other than a simple tube dress, the fabric is too thick for most 1/6 scale garments. I began with a small empire waist bodice that I pinched in the middle to create the sweetheart neckline. The skirt part of the dress is attached to this bodice. A gathered piece of fabric is attached to the hemline. I made the decision not to go as wide as with the original dress because I felt it made the dress appear a little too kitsch. In the original dress, there are pieces gathered into the dress draping down from the shoulders over matching gloves. When I tried this, those pieces did not drape well; they appeared to be wings. So.....I made the decision to create instead, matching velvet gloves with poufs on the top. This gives us the option to wear the dress without the gloves and under a coat, for example.

 

I've saved this one for the last because, other than the fact there is a silver dress in both looks....there is no relation between the two. I chose this dress because I do like the notion of silver combined with another color. Ms. Bingbing's dress is lovely, but I thought it could be so much more interesting than that standard beaded column dress with deep decollete that we know so well. I'm also not fond of the color of the "duster coat" nor of its overpowering winged sleeves. For Anna's dress, I chose some sparkly wired Christmas ribbon and had a little fun with how it unraveled at the edges. Instead of a big bulky coat, Anna chose a pleated silk wrap in teal. Softer, more contemporary. 

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Unless otherwise noted, all images and text of this blog are the copyrighted property of Fashion Doll Stylist 2023. We are independent and not part of any other group or website no matter where this post or its elements appear on the internet or social media. Please request permission before reproducing any parts of this post. And please, always credit us. 

Dolls Eye View: Golden Globes 2020

This year's Globes were a disaster! So many ugly dresses... While it is not my mission to critique red carpet fashion, I will say this. The world of film and television have something in common with fashion in that they both are based on dreams and fantasies....especially when it comes to celebrities who bring those mediums to life. These are women (and men) who are at the top of their game and can afford the best of the best. We tune into these sort of events, not only to see if our favorite film or show won a coveted prize, but also to see and drool over the finery they wear!

Again, my job here is to show you where to find inspiration for show stopping looks to make for your 12" divas. I am not here to trash the stars. HOWEVER.. if I am saying there were a LOT of ugly dresses, it's because, in many cases, the proportions of the style, the colors, prints, fabrics and fabrications were not flattering. The fabrics were not special enough and even though there were a handful of tasteful looks, those dresses were, well....boring! The stylists who dressed these lovely ladies, seem to have no imagination when it comes to ACCESSORIES!!! Where are the gloves? The tiaras? The stoles (fabric, feathers or otherwise?) What's with the borrowed baubles? Why not opt for glass jewelry and have some fun! After all, these are Hollywood stars not prom queens!!! The styles worn on anyone's red carpet should be slightly over the top in terms of luxury. They should have us all wishing to own dress like that (even if we have neither the lifestyle nor the money!)

That said....well....you know my girls..... They were NOT going to go down without a fight! They found a few looks they thought they could live with. And the rest.... well they took the liberty to jazz things up a bit!

We did like Jennifer Aniston's gown. Very pretty, effortless!. We recreated this look for Giselle by making a strapless princess line dress and adding a ruffle to the neckline. Easy!

 Idina Menzel was stunning in this white gown with incorporated cape. Again, this 2-piece dress/cape was pretty simple to recreate for Angelina, our 1/6 scale beauty. And to make it even easier, we opted to make this out of stretch fabric!

And while simple can be quite stunning, there were dresses that were well....boring. Red carpet fashion should be glamorous, a little over the top. Something that reeks "star quality." We took the same black velvet dress as the Tom Ford gown worn by Rachel Weitz and we extended the white satin border to fully cover the off the shoulder edge and arms of Latetia. Matching white satin gloves are a must, as is a fluffy, furry stole.

It's really hard to believe Naomi Watts is wearing an Armani Prive gown. To my eye, the polka dots on that skimpy little collar just isn't saying much. So for Nadia, we redesigned the neckline with a generous amount of glitter tulle embroidered with a few extra silver beads. It tops a form fit and flared halter neck lurex gown. On her arm... a pouf of glitter tulle to recall the neckline of the dress.

We love this Auntie-Mame-loungewear-with-a-Hollywood-twist. It's been done so many times before and each time it has been done, it was a thousand times more glamorous, more exciting, more elegant that the Stella McCartney outfit worn by Julia Roberts. We kept the draped chiffon top for Vanessa (without the belt) but instead of skimpy black silk pants, we opted for more ample straight legged trousers cut from cream silk satin.  And we added on opera length satin gloves. Will the real celebrity please stand up!!! (Pssst....I like Vanessa's hair better too!)

Kerry Washington was really quite stunning. While she has the body to pull off this look, as one critic put it..."just because you can, doesn't mean you should!" Though we liked the idea of an evening length suit worn solely with a "pop" of sparkly jewelry, Kerry's over all look comes across to us as....too naked. So for Denise, we kept her Altuzarro tuxedo jacket and satin skirt but swapped out the necklace for rows and rows of glittering rhinestones. And...we dressed up her legs with a pair of golden lurex thigh-highs to boot!

We did take a liking to Scarlett Johanssen's red ballgown. The only problem with it is that it tended to droop somewhat in the back. So for Estelle's dress, we took a very simple basic sheath dress and added lots of fabric...two types: silk and chiffon...gathered them into a detachable train. Very simple to do and quite dramatic!

The biggest disappointment for the night was the dress worn by Jennifer Lopez. We love J-Lo and we think she looks AMAZING. So we really didn't understand the choice of a dress that completely weighed her down and hid all of her assets! There was nothing we could do with this "Christmas package" dress so instead, we kept the idea of the A-line volume but re-imagined her look into something we think she could better rock. For Sonya, we fashioned a somewhat stiff silk faille fabric into this two-piece sensation inspired by a wedding dress we found on Pinterest! The top is a simple halter neck bodice attached to a waistband. Folded squares were attached to the bottom of the waistband and stitched in place. The circle skirt is made from the same fabric. A gold ribbon wraps around the waist, ending in a bow at the waist of this bare back dress!

And so we end our report with a grand finale starring Billy Porter. We always enjoy Billy because he totally gets it. A red  carpet event should be used to show everybody the star that you are. His outfit is not as inventive as the one he wore last year (the black and white tuxedo ballgown). This year he stepped out in a stunning white silk suit and tacked on a fluffy train in the back. Though it's a bit of a last minute thought (as opposed to a thoughtful design) still, it's the kind of old-fashioned, glamorous, film star mindset we wished more stylists would adopt when dressing our favorite famous ladies!

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Dolls' Eye View: Emmys 2018

My dolls search for any and all excuses to get all dressed up and show off. This year, however, I asked if they really wanted to continue to go to the Emmy Awards (the U.S. television Oscars). After all, many of the celebrities and their nominated TV shows are scarcely known outside of the country AND (more importantly) the gowns are not always on par with the "gold standard" gear of the Academy Awards or the Golden Globes. To this inquiry, there was a resounding YES vote throughout the house (including from dolls who do not wear gowns). This red carpet event, they explained, allows them to upstage the stars in spectacular fashion by restyling or even redesigned the gowns!

The problem with the lackluster look of today's red carpet events, is what seems to be the missing element of glamour! To our eyes, there seems to be a lack of imagination, a lack of passion for sensational fashion! What happened to opera length gloves, what happened to the stoles, the swashbuckling capes, tornadoes of tulle and chiffon, the piles of jewelry...the tiara? My girls want to strut their stuff the way movie stars from the golden age of cinema did. So once again, my girls headed out to the Emmy's. Think of this session as a lesson in...."if dolls ruled the (fashion) universe!

My girl, Liu loved the black sequined sheath worn by actress Constance Wu (best known for her role in the comedy series, "Fresh Off the Boat" as well as the film, "Crazy Rich Asians." The dress, designed by our beloved Jason Wu, is pretty basic with most of the interest focused on the asymmetrical detailing crossing the shoulders of the draped, bare shouldered sleeves. Since the sequined fabric stretches, I used a basic pattern for jersey dresses. The sleeves are tubes attached to the dress at the underarms. I used tiny strips of the sequined scraps for the detailing over the top of the dress. Liu liked the dress as is, but said, she'd like to take it totally over the top with a shawl made of rectangular black and silver sequins, which she's holding in her hand. (No she could not wait for me to make her a jacket.)

It's always nice to see a fresh burst of color on the red carpet. We know that actress, Regina King--dressed in a neon lime Christian Siriano strapless gown--did not expect to win an Emmy for Outstanding Lead Actress in a Limited Series or Movie for her role in Netflix's Seven Seconds. We assume that's why she was dressed so simply to claim her award. There's nothing wrong with simplicity, and we do love the color and the cut of the gown...but simple doesn't have to be boring either. With just a little bit of effort, my girl Naomi took the same strapless gown and tossed a brocade kimono coat over the shoulders and a statement necklace around her neck. It moves simple to sensational! (A brocade shawl with fringe would also have been spectacular, but Naomi, unlike Liu, waited for the coat!)

Okay, we get it. The actress put on this very basic dress and assumed she'd wow everyone with her beauty. And yes, Nathalie Emmanuel, Game of Thrones star, you are gorgeous as is. And while we love the stark simplicity of this black gown by designer Anita Ko, my girl Akure still felt something was missing. "Give me gloves," demanded Akure. We gave her opera length gloves, a furry white jacket and teardrop pearl earrings to make the whole ensemble look like a million dollars. You can do this dress with a (bodice & skirt with waist seam) or in one continuous line by creating a strapless princess line dress. Once you've made your pattern, be sure to add a train. You can see how that is made by looking  HERE.

We took a good, hard look at Canadian actress Tatiana Maslany's outfit and notice the Rosalind Russel "Auntie Mame" moment she was having in this very 1950's pants ensemble designed by Christian Siriano. Again we loved the color and the drama of the top as well as the sassy stovepipe pants. Veronique, however, didn't feel this ensemble was dressy enough. She insisted the black pants should be replaced by forest green taffeta and that the accessories should be more in-your-face-present. Replicating this outfit was super easy. It starts with a halter neck top over which I have simply draped a piece of fabric over one shoulder and across the bodice. The trousers are the standard slim fitting pants. We gave her a chain belt and some statement gold earrings to pull off a super glam look.

This is an instance were we completely redesigned the dress. Yara Shahidi, is a beautiful 18-year old actress best known for her role in the hit TV series "Black-ish" wearing this gown from Gucci,.We were immediately drawn to the flower in the center of the body with fabric radiating from the central point. In our view, the gown itself is well.... a tad bit matronly for a girl of 18. The drapery does nothing for her young silhouette, the beading, even the fabric undermines the freshness of the concept. So we kept the flower and the color but swapped out the sequined silk for a lightweight sheer fabric. We dropped the halter neck for the simplicity of strapless. Iman's dress begins with the base of a strapless foundation over which we simply draped the fabric and tacked it in place. Then, we added a flower in the middle of our drape.

Speaking of fresh flowers....spotted on the red carpet was actress Elisa Perry in a white dress designed by Jovani. The girls absolutely LOVED her dress.....but as a wedding gown!!! Still, we again attracted to the 3-D aspect of her dress filled with blooms. Even though it is a little bit late in the season for this dress, I gave in to Joan's request to make it for her. (She was out of town when we were celebrating the Royal Wedding!)  The 1/6 version starts with a strapless sheath in white lace. I bought small silk flowers from the craft store then stitched them on randomly over the front of the dress right down to her toes. A little bit of gathered tulle is added at the waist in the back. And since we're doing a Billie Holloway number here, we put a flower in Joan's hair. Aloha!!

My girl, Kelly, insisted on being part of this post. She selected the feathered gown worn by Sarah Poulson (Oceans 8 star) from the house of Oscar de la Renta. This is just a 1-piece corset top over a tulle skirt with LOTS of feathers sewn on top. The bustier, as simple as it appears, is a real challenge on this scale due to its deep décolleté. I tried numerous things to make this neckline work but the deep neckline causes everything to spread apart. But at the end of the day, I ended up using felt for the stiffness and pinched it in over the bust--which worked...sort of.... Ok, so I cheated...and glued stretch velvet over the whole structure after it was on the doll. If she doesn't move, her boobs won't fall out! It's not perfect but this was the closest I could come to replicating this neckline and frankly, the end result is not half bad! We fiddled with accessories, but with the skirt this large, settled on the simple addition of silver and crystal jewelry.

With that, we end on a pure and simple note here with actress Kristen Bell in a white Solace London gown. We pretty much remained faithful to the design of the original dress. It is a strapless sheath with sleeves sewn onto straps which I added to keep them on at the cap. The message here is to make a statement with your choice of fabric. Something with texture of interest. The actress, best known for her roles in Veronica Mars and Anna in Disney's Frozen, is clad in a super simple white dress. For my taste, the fabric is too matte, too plain. And while we feel the fit is flawless, my girl Meagan wanted it in a more glamorous fabric...one with a bit of sheen. Meagan's dress was cut from a champagne white polyester fabric with a distinct, striated sheen (a bit too difficult to appreciate in these photos) that reflects light and gives a sculptural look to her curves. We gave her accents of pearl jewelry, all of which match her luminous platinum hair. And for the last photo, we gave her a snowy white furry stole.

Don't go away.....up next....the girls' first report on Fashion Month from New York!!!

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